Instrumental

JÄRVI ACADEMY 2026

MASTERCLASSES FOR WINDS, PERCUSSION AND STRINGS

Järvi Academy 2026 for winds, percussion and strings will take place between 4.-15. July 2026 in Tallinn and Pärnu, Estonia.
The deadline to apply is 10th April 2026. 

The course consists of 3 individual masterclasses (45 minutes each) and for selected participants the Järvi Academy Symphony Orchestra (JASO). In addition, we offer a lecture and individual lessons in music physiology.

TEACHERS 2026

WINDS AND PERCUSSION

Flute André Cebrián — Scottish Chamber Orchestra /  The Royal Conservatoire of Scotland
Oboe Thomas Indermühle —Zurich University of Music / Karlsruhe University of Music
Clarinet Maximiliano Martín — Scottish Chamber Orchestra
Bassoon Mathis Stier — WDR Symphony Orchestra

Trumpet  Yael Fiuza Souto — Basque Land Orchestra / Aragon Higher Conservatory of Music
French Horn Raimund Zell — Anton Bruckner University
Trombone Christian Jones — Royal Northern College of Music / The Hallé Orchestra

Percussion Marc Strobel — Stuttgart State Opera/Frankfurt University of Music and Performing Arts

STRINGS

Violin

Laura Zarina Dr.Hoch’s Conservatory Frankfurt
Cecilia Zilliacus   Sibelius Academy / Royal College of Music Stockholm

Michael Foyle — Royal Academy of Music London / Köln University of Music and Dance

Kristine Balanas — Latvia
* to be announced

Viola

Tomoko Akasaka — Münster University of Music

Lilli Maijala  Zürich University of Arts

Cello
Jan Ickert — University of Music and Performing Arts Frankfurt
David Pia — Bern Symphony Orchestra

 

Double bass

Olivier Thiery — Conservatory of Amsterdam

MUSIC PHYSIOLOGY

Teacher: Lisanne Altrov

What is music physiology?

Musicphysiology or musician´s mental and physical preparation for the stage entails the following topics:

  • Tension-free playing
  • Physical prowess and endurance
  • Ability to cope with unexpected situations
  • Communication with the audience, stage partners, collegues and oneself
  • Body language
  • Concentration and focus
  • Motivation
  • Confidence/self-assuredness
  • Coping with mental and physical stress
  • Self-regulation (ability to adjust one’s thoughts, feelings and behaviour)
  • Setting and achieving goals
  • Timing on stage
  • Envisioning one´s sound
  • Time management and planning
  • Effective (mental) practicing
  • Self-analysis
  • Burnout prevention

One of the many skills a musician carries is coping with stage fright. This includes finding solutions to thrive and propell oneself forward in performance situations. The goal of the individual and group lessons in music physiology at Pärnu Music Festival is to map the mechanisms of dealing with stage fright that have proven to be useful, aswell as the ones that still need mending. Simply putting in the practice hours is not enough. During the lessons I will explain the principles of music physiology: how and why stage fright appears, how do body and mind react to stress and how to manage them. The goal is to offer artists mental and physical excercises and tools, to ease the stage fright, prevent injuries and increase the joy of performing on stage and making music.

JASO

Järvi Academy Symphony Orchestra consists of two projects. 

Playing in the orchestra is a part of the course and is compulsory for the students, who have been selected to play in the orchestra. 

The Opening Concert of Pärnu Music Festival 2026

Programme:

Heino Eller (1887–1970) – Symphonic poem “Dawn” (1918)
Antonín Dvořák (1841–1904) – Concert Ouverture “In Nature” Op. 91 (1891)
Bedřich Smetana (1824–1884) – Symphonic poem “Vltava” (“Moldau”) (1874) from the cycle “Má vlast” 
Heino Eller (1887–1970) – Symphonic picture “Twilight” (1917)

The Final Concert of Järvi Academy 2026

Ferenc Liszt (1811 — 1886) — Symphonic poem “Mazeppa” (1851-1854)
Robert Schumann (1810 — 1856) — Symphony No. 1 in B-flat major, Op. 38 “Spring Symphony” (1841)
I Andante un poco maestoso — Allegro molto vivace  
II Larghetto
III Scherzo. Molto vivace
IV Final. Allegro animato e grazioso

REGISTRATION

To apply to the course, a video recording is necessary. 

Requirements for the video: 

WINDS AND PERCUSSION

FLUTE:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

OBOE:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

CLARINET:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

BASSOON:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

FRENCH HORN:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

TRUMPET:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

TENOR TROMBONE:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

BASS TROMBONE:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

PERCUSSION:

  • Orchestral excerpts from the opening concert programme: LINK HERE
  • NB! Percussionists are allowed to record the different instruments separately if needed.

STRINGS

VIOLIN:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

 VIOLA:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

CELLO:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

DOUBLE BASS:

  • A solo piece or a piece with piano accompaniment. Free of choice.
  • Orchestral excerpts from the opening concert programme: LINK HERE

The orchestral excerpts must be filmed in one unedited take (except percussionists). Excerpts and the solo piece can be in filmed in separate takes . Any kind of editing of the recordings is not permitted. Please upload the recording(s) to Youtube (can be unlisted).

The recordings are evaluated by the artistic direction of the Järvi Academy. Based on the recordings, participants of the masterclass and the Järvi Acacemy Symphony Orchestra will be selected. 

Available places in the course are limited.

COURSE COSTS

PARTICIPATION FEE

(3 individual lessons, free entrance to Pärnu Music Festival concerts and a festival T-shirt)

300€

ACCOMMODATION

Niidupargi dormitory – Niidupargi 14
(double/triple rooms, breakfast included)

25€/day (*)

CATERING

(2 meals per day, lunch and dinner)

15€/day (*)

(*) – Accommodation and catering is FREE OF CHARGE for Estonian citizens, international students studying in Estonia and all participants chosen to play in the FIRST JASO project. 

Järvi Academy does not cover travel costs to and from the festival. 
Participants are allowed to choose their own accommodation and catering, mark accordingly in the application. 

REGISTER HERE:

 VIOLIN

WINDS AND PERCUSSION

DOUBLE BASS

Additional information: 

Liina Sakkos (strings)
+372 551 6609
liina.sakkos@parnumusicfestival.ee

Isabella Runge (winds and percussion)
+372 5832 8909
isabella.runge@parnumusicfestival.ee